![the pedestrian by ray bradbury full text the pedestrian by ray bradbury full text](https://i.pinimg.com/originals/b5/c2/0a/b5c20a13b52d1b50526503ead76107ae.jpg)
Leonard is a full-blooded human being, sensing and perceiving the world around him, in contrast with the silent streets and the passive, controlled, population trapped inside, watching their screens. Leonard Mead as he walks the silent city streets. It’s a subtle move, and all the more effective for it. Note how Bradbury uses the infinitive to put the reader at the centre of the experience, teasing the first sentence out in the second person before smoothly switching to third-person to introduce his protagonist, Leonard Mead.
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In truth, he’s breaking the most dangerous thing of all - mandates which have grown to not only be accepted by society but enthusiastically taken up and amplified. Only later do we learn that he is breaking a curfew. Leonard uses his senses to navigate, to perceive the things around him, and to decide which direction to go in. In this short paragraph, Bradbury introduces sense itself as a key to perception. He strides with instinctual ease, led by his own sense of aesthetic appreciation. Here’s a man at ease with himself, alone, and walking in the direction he feels like going in. The sense of freedom, even before we find out why Leonard’s walk is a rebellious act, is clear, as is his upbeat sense of self-possession. He would stand upon the corner of an intersection and peer down long moonlit avenues of sidewalk in four directions, deciding which way to go, but it really made no difference he was alone in this world of 2053 A.D., or as good as alone, and with a final decision made, a path selected, he would stride off, sending patterns of frosty air before him like the smoke of a cigar.” “To enter out into that silence that was the city at eight o’clock of a misty evening in November, to put your feet upon that buckling concrete walk, to step over grassy seams and make your way, hands in pockets, through the silences, that was what Mr. Leonard Mead, out for a walk one evening: Set in a dystopian world where going outside is forbidden and everyone is supposed to stay home in front of a screen and where, since election year, the police force has been cut to one automated patrol car, the story begins with a man, Mr. I’ve long since lost the book but it must have been a copy of “The Golden Apples of the Sun” (1953) because that’s the only collection which contains his remarkable story, “The Pedestrian”. The first one I pulled from the shelf was a collection of short stories by Ray Bradbury. They attain an even higher meaning and value in foreign places where journeys can be long. Books are a lifeline and a currency when you’re traveling. Something to show me a way out of my loneliness.ĭuring one of our strictly scheduled walks through Kathmandu to see things my partner had colour-coded in our Lonely Planet guide, I spotted a second-hand bookshop and subverted our program by dipping inside to find a space rammed from floor to ceiling with books, many in English. Thousands of miles from home, in a collapsing relationship, without money, in a beautiful country, surrounded by human beings, I was profoundly alone, sad, and failed. I was in Nepal with my ex-girlfriend and things were going badly. The sound of my shoes crunching in the light snow that had started drifting down, the silence, my happiness within the silence, and the fact that I was constantly scanning for the police who I knew must be patrolling the park, took my mind right back to 2010 when I first read “ The Pedestrian “ by the American writer, Ray Bradbury, the story I want to talk about.
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I decided to do one quick round of the park, take in the view over the city, drink my hot toddy, then head back home.
The pedestrian by ray bradbury full text cracked#
I’d prepared a vacuum flask of hot milk, honey, and quite a bit of rum, and cracked it open as I entered the deeper silence of the park, every sound magnified by the frost and the clear night air. I’ve been working from home since early March last year, sitting at my kitchen table, eating badly, and writing about new technologies - a pretty claustrophobic situation - so the openness of space, along with the beauty of the buildings and the clarity of the frozen air created the kind of sacred atmosphere we can sometimes experience when confronted by a total absence of people. In my defence, I’d come down the 154 steps from my fifth-floor apartment and didn’t feel like climbing them again right at that second. I quickly remembered that the 9pm curfew I’d forgotten about was still being imposed but was suddenly gripped by a powerful urge to continue my walk and began moving away from my front door, towards the park at the end of my street. The night was very cold, with a brilliant frost sharpening the edges of the buildings that added a surreal quality to the neighbourhood. STEPPING OUT ONTO THE STREET in front of my apartment block for an evening walk earlier this month, I was struck by the utter silence and emptiness around me.